Consolations
This program offers a sensitive journey into the heart of the German funeral tradition, placing Ein deutsches Requiem in the lineage of the Musikalische Exequien by Heinrich Schütz and the Köthener Trauermusik by Johann Sebastian Bach. It reveals a deeply human vision of the “German-style” requiem, one that is oriented toward the consolation of the living rather than solely toward liturgical solemnity.
Between echoes of the past and Romantic impulses, the works of Johannes Brahms and Felix Mendelssohn enter into dialogue with their musical heritage in a unique interpretation. Carried by the warmth of period timbres and the expressive vitality of Baroque phrasing, this program offers a sonic experience that is at once intimate, vibrant, and strikingly contemporary.
50 artists
Simon-Pierre Bestion
Conception, staging and direction
24 singers
25 instrumentalists
2 transverses, 2 oboes, 1 bassoon-recorder, 1 cornetto-trumpet, 3 sackbut, 4 violins I, 4 violins II, 2 violas, 2 violas da gamba, 1 cello, 2 double bass, 1 organ, 1 harp
Michael praetorius
Mit Fried und Freud
Heinrich SchÜtz
Musikalisches Exequien (1635), extracts
Dietrich buxtehude
Klag-Lied
Herr wenn ich nur dich habe
Johann sebastian bach
Köthener Trauermusik BWV 244a (1727), extracts
Felix Mendelssohn BARTHOLDY
Herr nun lässest du, Op. 69
Trauergesang, Op. 116
JOHANNES BRAHMS
Ein deutsches Requiem, Op.45 (1868), extracts
Next dates
-
Leipzig Germany
Production Compagnie vocale et instrumentale La Tempête
Coproduction Théâtre Impérial - Opéra de Compiègne
Support Caisse des Dépôts, Fondation Société Générale, DRAC Auvergne Rhône-Alpes, Centre National de la Musique, SPEDIDAM